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Analysis[ edit ] The film High Heels which Almodóvar eventually made was not the one he had intended to make after the completion of Law of Desire in The song used in that scene is a merengue: The film did less well in other countries, such as Germany where Almodóvar's films have not been well understood. When he eventually made High Heels it was fundamentally different from his original idea. Almodóvar also used two themes composed by George Fenton for Dangerous Liaisons. The investigative role of Judge Dominguez is further undermined by the fact that his motivation is love for the murderess Rebeca rather than solving the crime. Imitation of Lifedirected by Douglas Sirkwas a major influence and there are some striking parallels between High Heels and Sirk's film. For the title sequence and Rebeca's second confession in High Heels, Almodóvar used pieces composed by Miles Davis in the Sixties, that were inspired by Flamenco.


Tajones lejanos


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It is clear that Letal is the judge and that Rebeca probably killed her husband. Pecadora by Los Hermanos Rosario. Almodóvar rewrote the lyrics in Spanish. For the title sequence and Rebeca's second confession in High Heels, Almodóvar used pieces composed by Miles Davis in the Sixties, that were inspired by Flamenco. When he eventually made High Heels it was fundamentally different from his original idea.


Tajones lejanos


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For the title sequence and Rebeca's second confession in High Heels, Almodóvar used pieces composed by Miles Davis in the Sixties, that were inspired by Flamenco. It is clear that Letal is the judge and that Rebeca probably killed her husband. When he eventually made High Heels it was fundamentally different from his original idea. For example, Becky conceals her heart condition from her daughter, Rebeca conceals the truth about murdering her husband, and the judge conceals his triple identity as Letal, Hugo and Judge Dominguez.


Tajones lejanos


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The score, which Almodóvar did not like, [16] was composed by Ryuichi Sakamoto. The first piece, heard while Rebeca is alone waiting for her mother, is called Solea, meaning solitude in Andalusian. Imitation of Lifedirected by Douglas Sirkwas a major influence and there are some striking parallels between High Heels and Sirk's film. Only the title remained. It is clear that Letal is the judge and that Rebeca probably killed her husband. Almodóvar rewrote the lyrics in Spanish. Almodóvar turned instead to Women on the Verge of a Nervous Breakdown which could be conveniently shot in Madrid.


Tajones lejanos


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His idea was to find songs that would correspond to a singer such as Becky del Páramo both at the start and at the end of her career. The film did less well in other countries, such as Germany where Almodóvar's films have not been well understood. Imitation of Lifedirected by Douglas Sirkwas a major influence and there are some striking parallels between High Heels and Sirk's film. The score, which Almodóvar did not like, [16] was composed by Ryuichi Sakamoto. That film would have been a variation on García Lorca 's classic play The House of Bernarda Alba and would have been set in rural Spain, not in Madrid. The song used in that scene is a merengue: For example, Becky conceals her heart condition from her daughter, Rebeca conceals the truth about murdering her husband, and the judge conceals his triple identity as Letal, Hugo and Judge Dominguez.


Tajones lejanos


Tajones lejanos

For example, Becky conceals her heart condition from her daughter, Rebeca conceals the truth about murdering her husband, and the judge conceals his triple identity as Letal, Hugo and Judge Dominguez. Only the title remained. The score, which Almodóvar did not like, [16] was composed by Ryuichi Sakamoto. Almodóvar rewrote the lyrics in Spanish. The first piece, heard while Rebeca is alone waiting for her mother, is called Solea, meaning solitude in Andalusian. The song used in that scene is a merengue: Imitation of Lifedirected by Douglas Sirkwas a major influence and there are some striking parallels between High Heels and Sirk's film. When he eventually made High Heels it was fundamentally different from his original idea. His idea was to find songs that would correspond to a singer such as Becky del Páramo both at the start and at the end of her career. Analysis[ edit ] The film High Heels which Almodóvar eventually made was not the one he had intended to make after the completion of Law of Desire in That film would have been a variation on García Lorca 's classic play The House of Bernarda Alba and would have been set in rural Spain, not in Madrid.




Stahl 's version — so High Heels is very much Almodóvar's own film, distinguished throughout by his particular style and concerns. When he eventually made High Heels it was fundamentally different from his original idea. For example, Becky conceals her heart condition from her daughter, Rebeca conceals the truth about murdering her husband, and the judge conceals his triple identity as Letal, Hugo and Judge Dominguez. The investigative role of Judge Dominguez is further undermined by the fact that his motivation is love for the murderess Rebeca rather than solving the crime. Only the title remained. The film did less well in other countries, such as Germany where Almodóvar's films have not been well understood. His idea was to find songs that would correspond to a singer such as Becky del Páramo both at the start and at the end of her career. Title[ edit ] The original title of the film is Tacones Lejanos, which can be translated as Distant Heels and refers to Rebeca's childhood, when she was unable to sleep until her mother entered her bedroom and Rebeca was able to hear the sound of her mother's heels as she left, walking down the hallway. Analysis[ edit ] The film High Heels which Almodóvar eventually made was not the one he had intended to make after the completion of Law of Desire in


Tajones lejanos


Video: Tacones Lejanos - Confesión en directo



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